@article{oai:tokaigakuin-u.repo.nii.ac.jp:00002202,
 author = {浜田, 美佐子 and Hamada, Misako},
 journal = {東海女子大学紀要, Bulletin of Tokai Women's University},
 month = {Jan},
 note = {What is quite unique about Dickinson's poetry is that it does not only have a persona as a storytel-[er in a poem but it also has a listener of that story in the poem The persona, or a supposed person as Dickinson wrote, can sirrply be "I" in a poem or the one who states abstractions, such as "Exultation, " or the one who talks about "A Dying Tiger. Whatever the subject may be, it is a dialogue between the teller and the listener that we find startling and sometimes vexing. Meantirre, the interaction between the two characters, the teller and the listener, makes us gradually participate in that drarra. In other words, we also become active listeners as if we were the ones who performed the dialogue on the stage. While we are going through this, we begn to see a different world, for what we see is not a fixed viewpoint but a range where even the farthest poles could coexist and change their angles like a mobile. In response to Dickinson's songs, we also begin to have our own dialogues with what we see as Dickinson wrote, This is my letter to the World.", 4, KJ00002499735},
 pages = {23--35},
 title = {エミリー・ディキンソンの手紙と詩に見られる話し手と聞き手},
 volume = {9},
 year = {1989},
 yomi = {ハマダ, ミサコ}
}